{"id":29285,"date":"2020-03-22T12:47:55","date_gmt":"2020-03-22T12:47:55","guid":{"rendered":"http:\/\/site.niio.com\/wordpress\/?page_id=29285"},"modified":"2020-04-01T11:53:40","modified_gmt":"2020-04-01T11:53:40","slug":"extinction","status":"publish","type":"page","link":"https:\/\/www.niio.com\/site\/extinction\/","title":{"rendered":"Extinction"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"29285\" class=\"elementor elementor-29285 elementor-bc-flex-widget\" data-elementor-settings=\"[]\">\n\t\t\t\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section data-particle_enable=\"false\" data-particle-mobile-disabled=\"false\" class=\"elementor-section elementor-top-section elementor-element elementor-element-2fae86ae elementor-section-height-min-height elementor-section-content-top elementor-section-stretched elementor-section-items-top elementor-section-boxed elementor-section-height-default\" data-id=\"2fae86ae\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;stretch_section&quot;:&quot;section-stretched&quot;}\">\n\t\t\t\t\t\t\t<div class=\"elementor-background-overlay\"><\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4e2da17c\" data-id=\"4e2da17c\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section data-particle_enable=\"false\" data-particle-mobile-disabled=\"false\" class=\"elementor-section elementor-top-section elementor-element elementor-element-7c9af42d elementor-section-content-middle elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7c9af42d\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-61232a7f\" data-id=\"61232a7f\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-471d2573 elementor-widget elementor-widget-heading\" data-id=\"471d2573\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Extinction\n<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-44a9ecc0 elementor-widget elementor-widget-heading\" data-id=\"44a9ecc0\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">CURATED ARTCAST<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section data-particle_enable=\"false\" data-particle-mobile-disabled=\"false\" class=\"elementor-section elementor-top-section elementor-element elementor-element-236a6001 elementor-section-content-middle elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"236a6001\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-5ae54602\" data-id=\"5ae54602\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4bfe6ed9 elementor-widget elementor-widget-text-editor\" data-id=\"4bfe6ed9\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<p><strong>Gregory Chatonsky (FR)<\/strong><\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2639b00 elementor-widget elementor-widget-text-editor\" data-id=\"2639b00\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<p>Curator: Pau Waelder<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-6bee1b2f niio-text-run elementor-widget elementor-widget-text-editor\" data-id=\"6bee1b2f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<p>When we&#8217;re gone, what will be left? What will remain of our architecture, our infrastructures, our culture, and our memories? What will be found but tons of plastic objects and discarded, obsolete pieces of hardware that used to store every record of our lives? In his work, Gr\u00e9gory Chatonsky has frequently addressed the idea of extinction: that of the human race, in the face of the possible consequences of global warming, but also of memory, in a time when everything is stored in local hard drives and remote servers. This selection of videos presents a series of imagined landscapes, computer-generated 3D environments that lead us to explore a world without us, a land made of traces and memories, devoid of human presence but irretrievably marked by its absence.<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3ded2530 elementor-widget elementor-widget-eael-lightbox\" data-id=\"3ded2530\" data-element_type=\"widget\" data-widget_type=\"eael-lightbox.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\n\n\t\t<div data-lightbox-type=\"lightbox_type_custom_html\" data-lightbox-type-url=\"\" data-lightbox-trigger-pageload=\"1\" data-lightbox-closebtn-color=\"#ffffff\" class=\"eael-lightbox-wrapper\" data-trigger=\"eael_lightbox_trigger_button\" data-lightbox-id=\"lightbox_3ded2530\" data-type=\"inline\" data-src=\"#eael-lightbox-window-3ded2530\" data-popup-layout=\"eael-lightbox-popup-standard\" 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data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-78e41724\" data-id=\"78e41724\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-2c4f8691 elementor-widget elementor-widget-image\" data-id=\"2c4f8691\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-image\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"1000\" height=\"1116\" src=\"https:\/\/www.niio.com\/site\/wp-content\/uploads\/2019\/03\/s200_pau.waelder.jpg\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-inner-column elementor-element elementor-element-752344ca\" data-id=\"752344ca\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-72480c85 elementor-widget elementor-widget-spacer\" data-id=\"72480c85\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7b6193c4 text-left elementor-widget elementor-widget-tp-heading-title\" data-id=\"7b6193c4\" data-element_type=\"widget\" data-widget_type=\"tp-heading-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"heading heading_style heading_style69f53a4fcfa0c style-1 \" ><div class=\"sub-style\" ><div class=\"head-title \" > <h2  class=\"heading-title   \"   data-hover=\"Pau Waelder\">Pau Waelder<span class=\"title-s \">  <\/span><\/h2><\/div><div class=\"sub-heading\"><h3 class=\"heading-sub-title  \"> Art critic and curator, researcher in contemporary art and new media. <\/h3><\/div><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<div class=\"elementor-element elementor-element-4ac7d0c0 niio-text-about elementor-widget elementor-widget-text-editor\" data-id=\"4ac7d0c0\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<div id=\"block-yui_3_17_2_1_1553419670882_86304\" class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\"><div class=\"sqs-block-content\"><p>PhD in Information and Knowledge Society, Universitat Oberta de Catalunya (UOC) and Bachelor in Art History from the University of Barcelona. He has developed his career with a continuing interest in contemporary art and digital art, which he has explored from different perspectives: curator, critic, academic researcher and also working with contemporary art galleries.<\/p><\/div><\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section data-particle_enable=\"false\" data-particle-mobile-disabled=\"false\" class=\"elementor-section elementor-top-section elementor-element elementor-element-2fe2015b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"2fe2015b\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-4d6d0658\" data-id=\"4d6d0658\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-713f3cc9 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"713f3cc9\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section data-particle_enable=\"false\" data-particle-mobile-disabled=\"false\" class=\"elementor-section elementor-top-section elementor-element elementor-element-7544f9a6 elementor-section-content-middle elementor-reverse-mobile elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"7544f9a6\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-top-column elementor-element elementor-element-2b78c953\" data-id=\"2b78c953\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-299f9849 elementor-widget elementor-widget-html\" data-id=\"299f9849\" data-element_type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div style=\"position: relative;height: 0;overflow: hidden; padding: 0 0 56.25% 0;\"><iframe loading=\"lazy\" class=\"niio-media-frame\" id=\"niioWidget1\" src=\"https:\/\/embed.niio.com\/1.1\/index.html?showinfo=false&autoplay=false&mute=true&hidefullscreen=false&controls=true&artworkid=8368&portrait=false&key=F4EAXHWWBB&invitationCode=4lkj0b3cnxt4lei\" frameborder=\"0\" allowfullscreen=\"\" webkitallowfullscreen mozallowfullscreen width=\"560\" height=\"315\"  style=\"position: absolute;top:0;left:0;width:100%;height: 100%;\" ><\/iframe><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1b29e405 text-left elementor-widget elementor-widget-tp-heading-title\" data-id=\"1b29e405\" data-element_type=\"widget\" data-widget_type=\"tp-heading-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"heading heading_style heading_style69f53a4fd33b7 style-1 \" ><div class=\"sub-style\" ><div class=\"head-title \" > <h3  class=\"heading-title   \"   data-hover=\"Gregory Chatonsky\">Gregory Chatonsky<span class=\"title-s \">  <\/span><\/h3><\/div><div class=\"sub-heading\"><h3 class=\"heading-sub-title  \"> Landfill <\/h3><\/div><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-495b63c3 niio-text-run elementor-widget elementor-widget-text-editor\" data-id=\"495b63c3\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<p>A panoramic video projection shows computer generated images of a barren earth. In a long and endless tracking shot the camera travels over the surface of this earth. Viewers will wonder about the nature of this uneven terrain, which they don\u2019t quite know how to identify. Is it the moon, another planet, or a distant land ? The irregularities in the surface suggest excavations and the removal of materials from the soil. Perhaps this is, after all, our planet, but in a time that is difficult to envision. The video proposes a speculative view of an uninhabited earth, imagined in a very distant future after the extinction of the human race. In moving through the room visitors will arrive at this realization after having made the link with the exhibited objects.<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0c022d1 elementor-widget elementor-widget-html\" data-id=\"0c022d1\" data-element_type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div style=\"position: relative;height: 0;overflow: hidden; padding: 0 0 62.5% 0;\"><iframe loading=\"lazy\" class=\"niio-media-frame\" id=\"niioWidget1\" src=\"https:\/\/embed.niio.com\/1.1\/index.html?showinfo=false&autoplay=false&mute=true&hidefullscreen=false&controls=true&artworkid=13577&portrait=false&key=117I6Q3ZIY&invitationCode=5f5oquxf817whqx\" frameborder=\"0\" allowfullscreen=\"\" webkitallowfullscreen mozallowfullscreen width=\"560\" height=\"350\"  style=\"position: absolute;top:0;left:0;width:100%;height: 100%;\" ><\/iframe><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2e985f5 text-left elementor-widget elementor-widget-tp-heading-title\" data-id=\"2e985f5\" data-element_type=\"widget\" data-widget_type=\"tp-heading-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"heading heading_style heading_style69f53a4fd477e style-1 \" ><div class=\"sub-style\" ><div class=\"head-title \" > <h3  class=\"heading-title   \"   data-hover=\"Gregory Chatonsky\">Gregory Chatonsky<span class=\"title-s \">  <\/span><\/h3><\/div><div class=\"sub-heading\"><h3 class=\"heading-sub-title  \"> PostMatter <\/h3><\/div><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5845ce1 niio-text-run elementor-widget elementor-widget-text-editor\" data-id=\"5845ce1\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<p>The exhibition is over. Some works were rows and other piers. The space has been cleared. Surfaces were digitized to keep track of. These 3D models can be reused to print these traces and reproduce the same exhibition. A software navigates infinitely on these 3D scans. Grafted onto this forms a material that reacts to movements. It invaded the area and transforms it.<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1053997 elementor-widget elementor-widget-html\" data-id=\"1053997\" data-element_type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div style=\"position: relative;height: 0;overflow: hidden; padding: 0 0 56.25% 0;\"><iframe loading=\"lazy\" class=\"niio-media-frame\" id=\"niioWidget1\" src=\"https:\/\/embed.niio.com\/1.1\/index.html?showinfo=false&autoplay=false&mute=true&hidefullscreen=false&controls=true&artworkid=13578&portrait=false&key=41O5FYBMHZ&invitationCode=20rozlgcto3fzyz\" frameborder=\"0\" allowfullscreen=\"\" webkitallowfullscreen mozallowfullscreen width=\"560\" height=\"315\"  style=\"position: absolute;top:0;left:0;width:100%;height: 100%;\" ><\/iframe><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d9a930f text-left elementor-widget elementor-widget-tp-heading-title\" data-id=\"d9a930f\" data-element_type=\"widget\" data-widget_type=\"tp-heading-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"heading heading_style heading_style69f53a4fd5b22 style-1 \" ><div class=\"sub-style\" ><div class=\"head-title \" > <h3  class=\"heading-title   \"   data-hover=\"Gregory Chatonsky\">Gregory Chatonsky<span class=\"title-s \">  <\/span><\/h3><\/div><div class=\"sub-heading\"><h3 class=\"heading-sub-title  \"> Hisland <\/h3><\/div><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-3d58086 niio-text-run elementor-widget elementor-widget-text-editor\" data-id=\"3d58086\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<p>The artist\u2019s fingerprint is used to create a topography with a videogame engine. The software covers this unique glacial space randomly. Fonds D\u2019Art Contemporain de la Ville de Paris, Air France Collections priv\u00e9es<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-71332d4 elementor-widget elementor-widget-html\" data-id=\"71332d4\" data-element_type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div style=\"position: relative;height: 0;overflow: hidden; padding: 0 0 56.25% 0;\"><iframe loading=\"lazy\" class=\"niio-media-frame\" id=\"niioWidget1\" src=\"https:\/\/embed.niio.com\/1.1\/index.html?showinfo=false&autoplay=false&mute=true&hidefullscreen=false&controls=true&artworkid=13579&portrait=false&key=WU0J5O3TF6&invitationCode=9hm6b6xempz54zf\" frameborder=\"0\" allowfullscreen=\"\" webkitallowfullscreen mozallowfullscreen width=\"560\" height=\"315\"  style=\"position: absolute;top:0;left:0;width:100%;height: 100%;\" ><\/iframe><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-98ae6f1 text-left elementor-widget elementor-widget-tp-heading-title\" data-id=\"98ae6f1\" data-element_type=\"widget\" data-widget_type=\"tp-heading-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"heading heading_style heading_style69f53a4fd6e6c style-1 \" ><div class=\"sub-style\" ><div class=\"head-title \" > <h3  class=\"heading-title   \"   data-hover=\"Gregory Chatonsky\">Gregory Chatonsky<span class=\"title-s \">  <\/span><\/h3><\/div><div class=\"sub-heading\"><h3 class=\"heading-sub-title  \"> A rebours <\/h3><\/div><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-01e3b00 niio-text-run elementor-widget elementor-widget-text-editor\" data-id=\"01e3b00\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<p>Permanent installation in the library of the Ecole Normale Sup\u00e9rieure de Paris. The artist Gr\u00e9gory Chatonsky has digitized fragments of the ENS library. The imperfections and glitches of this digitization produce a paradoxical archeology where current technologies make possible to imagine the disappearance of places and functions. The probable future is revealed as \u00ab awfully old \u00bb. A program walks untiringly and randomly in these spaces and tries to exhaust. Perception will never be able to synchronize with the time necessary for this possible totality. The library of the school is immersed in a tension between the conservation guaranteeing its immunity and its disappearance. What is the role of conservation sites in the era of mass data? Does not the memorization of the facts and gestures of the anonymous modify the historicity itself? How to anticipate the work of historians to come up ?<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-45f3176 elementor-widget elementor-widget-html\" data-id=\"45f3176\" data-element_type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div style=\"position: relative;height: 0;overflow: hidden; padding: 0 0 56.25% 0;\"><iframe loading=\"lazy\" class=\"niio-media-frame\" id=\"niioWidget1\" src=\"https:\/\/embed.niio.com\/1.1\/index.html?showinfo=false&autoplay=false&mute=true&hidefullscreen=false&controls=true&artworkid=13601&portrait=false&key=2YBBNS9VVN&invitationCode=t29zrcswlesgfny\" frameborder=\"0\" allowfullscreen=\"\" webkitallowfullscreen mozallowfullscreen width=\"560\" height=\"315\"  style=\"position: absolute;top:0;left:0;width:100%;height: 100%;\" ><\/iframe><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a14db15 text-left elementor-widget elementor-widget-tp-heading-title\" data-id=\"a14db15\" data-element_type=\"widget\" data-widget_type=\"tp-heading-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"heading heading_style heading_style69f53a4fd8190 style-1 \" ><div class=\"sub-style\" ><div class=\"head-title \" > <h3  class=\"heading-title   \"   data-hover=\"Gregory Chatonsky\">Gregory Chatonsky<span class=\"title-s \">  <\/span><\/h3><\/div><div class=\"sub-heading\"><h3 class=\"heading-sub-title  \"> 4 Ft X 7 Ft And 30 Computers <\/h3><\/div><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5be91de niio-text-run elementor-widget elementor-widget-text-editor\" data-id=\"5be91de\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<p>The title refers to the dimensions of the Google servers in 1998. We travels randomly and infinitely in this imaginary space. Audio : Christophe Charles<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-top-column elementor-element elementor-element-5a7ba584\" data-id=\"5a7ba584\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<section data-particle_enable=\"false\" data-particle-mobile-disabled=\"false\" class=\"elementor-section elementor-inner-section elementor-element elementor-element-73b6de5 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"73b6de5\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-33 elementor-inner-column elementor-element elementor-element-7d582cc3\" data-id=\"7d582cc3\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-76d76d0e elementor-widget elementor-widget-image\" data-id=\"76d76d0e\" data-element_type=\"widget\" data-widget_type=\"image.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-image\">\n\t\t\t\t\t\t\t\t\t\t\t\t<img width=\"185\" height=\"185\" src=\"https:\/\/www.niio.com\/site\/wp-content\/uploads\/2019\/03\/Gre\u0301goryChatonsky_square.jpg\" class=\"attachment-full size-full\" alt=\"\" loading=\"lazy\" \/>\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-66 elementor-inner-column elementor-element elementor-element-31318c95\" data-id=\"31318c95\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3aadae67 elementor-widget elementor-widget-spacer\" data-id=\"3aadae67\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1f75b443 text-left elementor-widget elementor-widget-tp-heading-title\" data-id=\"1f75b443\" data-element_type=\"widget\" data-widget_type=\"tp-heading-title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div class=\"heading heading_style heading_style69f53a4fdd73e style-1 \" ><div class=\"sub-style\" ><div class=\"head-title \" > <h2  class=\"heading-title   \"   data-hover=\"Gregory Chatonsky\">Gregory Chatonsky<span class=\"title-s \">  <\/span><\/h2><\/div><div class=\"sub-heading\"><h3 class=\"heading-sub-title  \"> Artist <\/h3><\/div><\/div><\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<div class=\"elementor-element elementor-element-28eed9ec niio-text-about elementor-widget elementor-widget-text-editor\" data-id=\"28eed9ec\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<div id=\"block-06cbbe879d31367907f7\" class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\"><div class=\"sqs-block-content\"><p id=\"yui_3_17_2_1_1553784843000_214634\">Born in 1971 in Paris, France. Lives and works in Paris and Montreal.<br \/>Technologies, and in particular the Internet, are an important source of reflection for Gregory Chatonsky. Shaping the paradoxes of the network and the discrepancies between its technological and existential dimensions could summarize a research that unfolds on several mediums:<br \/><a href=\"http:\/\/chatonsky.net\/category\/artworks\/installation\">installation<\/a>,\u00a0<a href=\"http:\/\/chatonsky.net\/category\/artworks\/video\/\">video<\/a>,\u00a0<a href=\"http:\/\/chatonsky.net\/category\/artworks\/print\/\">photography<\/a>,\u00a0<a href=\"http:\/\/chatonsky.net\/category\/journal\/\">writing<\/a>,\u00a0<a href=\"http:\/\/chatonsky.net\/category\/artworks\/drawing\/\">drawing<\/a>\u00a0and\u00a0<a href=\"http:\/\/chatonsky.net\/category\/artworks\/sculpture\/\">sculpture<\/a>.<br \/>His works could evoke infinite spaces in which the fragmentation of attention reigns. The network becomes a world in itself where the boundaries between technology and the human being become blurred. His practice attempts to draw the outlines of a new imaginary whose invention would be technical.<br \/>Gr\u00e9gory Chatonsky has participated in numerous solo and group exhibitions in France, Canada and abroad, including Imprimer le monde en 2017, at the Centre Pompidou, Capture : Submersion in 2016, at Arts Santa M\u00f2nica Barcelona, Walkers: hollywood afterlives in art in 2015, Museum of the Moving Image in New York, Telofossils in 2013, at the Museum of Contemporary Art in Taipei, Erreur d\u2019impression in 2012, at the Jeu de Paume.<\/p><\/div><\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section data-particle_enable=\"false\" data-particle-mobile-disabled=\"false\" class=\"elementor-section elementor-top-section elementor-element elementor-element-526b9050 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"526b9050\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1dceabd0\" data-id=\"1dceabd0\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1ebdc6a7 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"1ebdc6a7\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span 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id=\"hbspt-form-1777678927000-4895920881\"><\/div>\n\n\t\t\t<\/div>\n\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Extinction CURATED ARTCAST Gregory Chatonsky (FR) Curator: Pau Waelder When we&#8217;re gone, what will be left? What will remain of our architecture, our infrastructures, our culture, and our memories? What will be found but tons of plastic objects and discarded, obsolete pieces of hardware that used to store every record of our lives? In his [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"yst_prominent_words":[],"_links":{"self":[{"href":"https:\/\/www.niio.com\/site\/wp-json\/wp\/v2\/pages\/29285"}],"collection":[{"href":"https:\/\/www.niio.com\/site\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.niio.com\/site\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.niio.com\/site\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.niio.com\/site\/wp-json\/wp\/v2\/comments?post=29285"}],"version-history":[{"count":9,"href":"https:\/\/www.niio.com\/site\/wp-json\/wp\/v2\/pages\/29285\/revisions"}],"predecessor-version":[{"id":34438,"href":"https:\/\/www.niio.com\/site\/wp-json\/wp\/v2\/pages\/29285\/revisions\/34438"}],"wp:attachment":[{"href":"https:\/\/www.niio.com\/site\/wp-json\/wp\/v2\/media?parent=29285"}],"wp:term":[{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.niio.com\/site\/wp-json\/wp\/v2\/yst_prominent_words?post=29285"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}