{"id":4157,"date":"2019-03-25T16:54:30","date_gmt":"2019-03-25T16:54:30","guid":{"rendered":"http:\/\/blog.niio.com\/wordpress\/?p=3784"},"modified":"2022-05-15T10:29:54","modified_gmt":"2022-05-15T10:29:54","slug":"expanding-bauhaus-new-reflections-on-the-bauhaus-movement-in-time-based-media-art","status":"publish","type":"post","link":"https:\/\/www.niio.com\/blog\/expanding-bauhaus-new-reflections-on-the-bauhaus-movement-in-time-based-media-art\/","title":{"rendered":"Expanding Bauhaus.          Screening Series by blinkvideo &#038; Goethe Institute"},"content":{"rendered":"\n<p>A screening series by <a href=\"https:\/\/blinkvideo.de\"><strong>blinkvideo<\/strong><\/a> in collaboration with <strong><a rel=\"noreferrer noopener\" href=\"https:\/\/www.goethe.de\/ins\/nl\/de\/sta\/rot.html?wt_sc=rotterdam\" target=\"_blank\">Goethe Institute Netherlands<\/a>&nbsp;<\/strong>selected by Elke Kania, Julia S\u00f6keland and Ludwig Seyfarth, powered by Niio.<\/p>\n\n\n\n<p>With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity. Last but not least, the attempt to create the whole society aesthetically, inspired many artists worldwide. Even in the contemporary Moving Image Art, the Bauhaus heritage is referenced in many ways, directly or associatively. For example, the Bauhaus architecture or modernist buildings that are in their tradition are being re-interviewed as living models, the modernisation of cities and the changing perception of new technologies with comparable intensity targeted as by the artists of the Bauhaus or the lens-less film experiments like those of L\u00e1szl\u00f3 Moholy-Nagy were taken up with today&#8217;s technical possibilities. An insight into international Film Art shows: even 100 years later &#8211; the Bauhaus lives, at least in the visions of the artists.&nbsp;<br><br>The screening series ate realised parallel to the exhibition \u201eThe Netherlands \u21c4 Bauhaus &#8211; Pioneers of a New World\u201d (February 9th \u2013 May 26th 2019) in the Museum Boijmans Van Beuningen, Rotterdam.&nbsp;<br><\/p>\n\n\n\n<p><strong>Screening #01: Creating Worlds&nbsp;<br>Thursday, 14.02.2019, 19:00 h&nbsp;<\/strong><br>The creation of living worlds can reflect political ideologies, reveal a desire to shape private living space or follow media models from feature films. The screening works reflect these concepts.&nbsp;<\/p>\n\n\n\n<p><strong>Dimitri Venkov,&nbsp;<\/strong>The Hymns of Muscovy, 2018<strong><br>Miriam Gossing &amp; Lina Sieckmann<\/strong>, Sonntag, B\u00fcscherh\u00f6fchen 2, 2014<br>One Hour Real, 2017<br>followed by an Artist Talk with Gossing\/Sieckmann<br>Curated and moderated by Elke Kania and Julia S\u00f6keland.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" src=\"https:\/\/www.niio.com\/blog\/wp-content\/uploads\/2019\/03\/f6409fa84fadeeb049625d847303edab.jpg\" alt=\"\" class=\"wp-image-3785\" width=\"852\" height=\"427\"\/><figcaption>Dimitri Venkov, The Hymns of Muscovy, 2018<\/figcaption><\/figure>\n\n\n\n<p><strong>Screening #02: Bigger than Life \/ Built Histories<br>Thursday, 07.03.2019, 19:00 h&nbsp;<\/strong><br>How is history reflected in (modern) architecture? And can history be architecturally &#8220;invented&#8221;? A project called \u201cSkopje 2014.\u201d so far errected some thirty government buildings and museums, as well as countless monuments in the classic style, in an attempt to put Skopje on a par with Rome and Athens. A city looks for a future in history.&nbsp;<\/p>\n\n\n\n<p><strong>Adnan Softic,&nbsp;<\/strong>Bigger Than Life, 2018<br>Tight tissue &#8211; or &#8211; The body is my temple, 1999<br><strong>Niklas Goldbach<\/strong>, 1150 San Remo Drive, 2017<br>Habitat C3B, 2008<br>followed by an Artist Talk with Adnan Softic.&nbsp;<br>Curated and moderated by Julia S\u00f6keland and Ludwig Seyfarth.<br><\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" src=\"https:\/\/www.niio.com\/blog\/wp-content\/uploads\/2019\/03\/goldbach_san_remo_preview.jpg\" alt=\"\" class=\"wp-image-3787\" width=\"860\" height=\"457\"\/><figcaption>Niklas Goldbach, 1550 San Remo Drive, 2017<\/figcaption><\/figure>\n\n\n\n<p><strong>Screening #03: Transition of Technology: Moving the Image&nbsp;<br>Thursday, 21.03.2019, 19:00 h&nbsp;<\/strong><br>The combination of photography and film and the use of &#8220;imaging&#8221; with light in photograms shaped the work of L\u00e1szl\u00f3 Moholy-Nagy; his telephone pictures from the 1920s can be interpreted as early works of media art. The screening presents contemporary camera-less film art, new approaches between static photography and the movement of images.&nbsp;<\/p>\n\n\n\n<p><strong>Stephanie Gudra<\/strong>, Wuslon, 2017<strong><br>Benjamin Verhoeven<\/strong>, Somebody was trying to kill Somebody Else, 2014<br><strong>Tim Gorinski<\/strong>, Generative Ideas (working title), 2019<br><strong>Barbara Hammer<\/strong>, Sanctus, 1990, on loan from JULIA STOSCHEK FOUNDATION D\u00fcsseldorf\/Berlin,&nbsp;<br><a rel=\"noreferrer noopener\" href=\"http:\/\/www.julia-stoschek-collection.net\/\" target=\"_blank\">www.julia-stoschek-collection.net<\/a>, Courtesy of the artist and KOW, Berlin&nbsp;<br><strong>Ugo Petronin<\/strong>, Abiding, 2019<br>followed by a Q&amp;A with Ugo Petronin, Piet Zwart Institute, Rotterdam&nbsp;<br>Curated and moderated by Elke Kania.&nbsp;<strong><br><\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" src=\"https:\/\/www.niio.com\/blog\/wp-content\/uploads\/2019\/03\/Screen-Shot-2019-03-25-at-18.38.28.png\" alt=\"\" class=\"wp-image-3788\" width=\"857\" height=\"632\"\/><figcaption>Ugo Petronin, Abiding, 2019<\/figcaption><\/figure>\n\n\n\n<p><strong>Screening #04: Facades and Interieur \/ How do we feel in modern environments?<br>Thursday, 25.04.2019, 19:00 h<\/strong><br>How does the functionalist credo of the Bauhaus live on in architecture? And how does architecture relate to human scale? Today&#8217;s artists pursue this question with various cinematic means.&nbsp;<\/p>\n\n\n\n<p><strong>Rebecca Ann Tess, The Tallest, 2014<br>Martina Wolf<\/strong>, Regen I, Dresden. 2002<br><strong>Moira Zoitl<\/strong>, Kitchen Torso: On Reducing the Number of Steps, 2013<br>followed by an Artist Talk with Rebecca Ann Tess.&nbsp;<br>Curated and moderated by Ludwig Seyfarth.&nbsp;<br><\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" src=\"https:\/\/www.niio.com\/blog\/wp-content\/uploads\/2019\/03\/large.jpg\" alt=\"\" class=\"wp-image-3789\" width=\"853\" height=\"641\"\/><figcaption>Martina Wolf, Regen I, Dresden, 2002<\/figcaption><\/figure>\n\n\n\n<p><br><strong>Screening #05: Architectural Utopies \u2013 Here and Now Thursday,16.05.2019, 19:00 h&nbsp;<\/strong><br>How do utopias of Bauhaus architecture function in the midst of a media present? Technology and aspects of social media find their way into the glass house of memory, into the models of public and private spaces.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image is-resized\"><img loading=\"lazy\" src=\"https:\/\/www.niio.com\/blog\/wp-content\/uploads\/2019\/03\/Screen-Shot-2019-03-25-at-18.49.57.png\" alt=\"\" class=\"wp-image-3790\" width=\"868\" height=\"487\"\/><figcaption>Rebecca Ann Tess, The Tallest, 2014<\/figcaption><\/figure>\n\n\n\n<p><strong>Manuel Graf<\/strong>, Shulmantonioni, 2004,<br>courtesy the artist and VAN HORN, Duesseldorf&nbsp;<br><strong>Frauke Boggasch &amp; Martin Sulzer<\/strong>, \u30db\u30fc\u30e0\u30c9\u30ea\u30fc\u30e0 \/ H\u014dmudor\u012bmu \/ Home Dream, 2019 \u2013 reflecting the development of the Bauhaus Architecture nowadays at Japan&nbsp;<br><strong>Elizabeth Price,<\/strong>&nbsp;At the House of Mr. X, 2007<br>on loan from JULIA STOSCHEK FOUNDATION D\u00fcsseldorf\/Berlin,&nbsp;<a href=\"http:\/\/www.julia-stoschek-collection.net\/\" target=\"_blank\" rel=\"noreferrer noopener\">www.julia-stoschek-collection.net<\/a>, Courtesy of the artist and MOT International, London&nbsp;<br><strong>Arianne Olthaar<\/strong>, Hotel Forum, 2016,<br>followed by an Artist Talk with Arianne Olthaar.&nbsp;<br>Curated and moderated by Elke Kania.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>With its combination of various arts such as painting, photography film, architecture, fashion, product and interior design and textile art, the Bauhaus is still considered the epitome of a technologically advanced modernity.<\/p>\n","protected":false},"author":6,"featured_media":4333,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v19.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Expanding Bauhaus.     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